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Source: Alien Speaker: Tagline
ContextThis is the tagline on the poster for the movie Alien (directed by Ridley Scott, 1979). The Alien franchise has included a variety of genres, from the sheer horror of the original to the more action-oriented sequel...to the we-don't-know-what of the third and fourth films. The original film enhanced the horror aspect with its insanely creepy poster featuring an egg cracking open with a green glow coming out—some sort of alien salmonella?—and the classic tagline, "In space no one can hear you scream." Where you've heard itIf you're on the Virgin Galactic space flight seated next to Justin Bieber, no one will hear you scream. Additional Notable References
Pretentious FactorIf you were to drop this quote at a dinner party, would you get an in-unison "awww" or would everyone roll their eyes and never invite you back? Here it is, on a scale of 1-10.In space, no one can hear you call something pretentious. “In space, no one can hear you scream”. So reads the tagline, showing at once the state of terror and isolation that permeates the film. Directed by Ridley
Scott (only at his second movie and already at the peak of his career: his next film would be another sci-fi milestone, Blade Runner), Alien is more than a simple horror flick. An A-list B-movieEven if it is an A-list production, Alien is at its core a B-movie.
It gathers influences from ‘50s sci-fi horror and suspense literature as well. In science fiction, Scott saw a chance to showcase the visual prowess he mastered as a commercial director. When he signed for the project though, references shifted to ‘60s-‘70s thrillers and horrors. He knew that he had to push terror closer to the viewer to scare him the most, like The Exorcist and The Texas Chainsaw Massacre did. This mix-up inevitably started a lineage (Carpenter‘s The Thing is a similar operation), as its innovations breathed new life into the genre. Truckers from outer spaceFor instance, screenwriters Walter Hill and David Giler made the astronauts “truckers in space” the viewer could easily identify with, as Roger Ebert noted. Social commentary quickly joined in. Inspired by the ‘70s Corporate Thriller subgenre (Giler co-wrote conspiracy flick The Parallax View), the two added a paranoia element to the already suspenseful story. In their fight for survival, the now class-divided astronauts also have to keep an eye on the omnipotent Company that hired them. Their tightness, however nervous, makes it harder for the viewer to guess who will survive. The girl who knew how to fightThe outcome, at the time, was quite surprising. The hero/damsel-in-distress dynamic is turned over since the one who manages to take charge of the situation is a girl. Played by Sigourney Weaver, in a debut role, the heroine took a step forward from the Final Girl trope developing in the ’70s. The girl didn’t merely survive but knew how to fight, a stereotypically masculine virtue.
A design that came from withinThe movie twists sexuality, pregnancy, and birth into monstrosity. The very design of the alien anatomy manifests distressing Eros-Thanatos innuendos. The aim is clear: to hit the most sensitive part of the viewers’ unconscious. To twist their own physical instincts until they fear them. It’s the quintessence of the Body Horror subgenre. The mastermind behind this imagery is neo-surrealist
painter H. R. Giger. The resulting biomechanical design is unique because it comes from within, from Giger’s innermost nightmares. As a result of this loneliness, the fact that “in space, no one can hear you scream” becomes also a matter of how meaningless human sorrow is, in comparison to the immensity of the universe. Fear is in the eye of the beholderInterestingly enough though, the monster itself is rarely seen. In Dan O’ Bannon’s earliest draft of the screenplay, the alien was downright abstract, since it served as an embodiment of the Id. Like in Spielberg’s Jaws and Hitchcock‘s Psycho, the full figure of the killer is saved for last. Meanwhile, it’s left up to the viewer to complete what the screen only hints at. The old adage says “Beauty is in the Eye of the Beholder”. The same goes for fear. Who wrote in space no one can hear you scream?In Space No One Can Hear You Scream: Davis, Hank: 9781451639414: Amazon.com: Books.
Which film in space no one can hear you scream?This phenomenon was alluded to by the marketers of the 1979 sci-fi horror Alien, who coined the famous tagline, “in space no-one can hear you scream.”
Will there be a 7th Alien movie?A new Alien movie has finally been confirmed to be in the works, with established horror director Fede Álvarez, who is best known for Evil Dead (2013) and Don't Breathe (2016), at the helm. While it will be the seventh movie in the series (or ninth if you include the two Alien vs.
Is it true that in space no one can hear you scream?A: Sound is a mecanical wave, which means that it needs substance to travel through, such as air or water. In space, there is no air, so sound has nothing to travel through. If someone were to scream in space, the sound wouldn't even leave their mouths.
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