Two ways a woman can get hurt article

This paper discusses the merits and limitations of using both fiction and non-fiction films and videos to teach issues related to gender (especially issues of appearance, dieting, aging, abuse, rape, and power relationships between the sexes) in gender communication courses (and by extension, other communication courses, such as interpersonal communication). The paper explores the benefits and problems associated with the use of controversial media in such classes, especially media texts which have generated debates about gender in the popular press. Such media texts include various feature films (e.g. Thelma and Louise, The First Wives Club, The Accused, The War of the Roses, The Color Purple, In the Company of Men, etc.), television series (e.g. Absolutely Fabulous, Roseanne, etc.), and documentary videos (e.g. Dreamworlds II and Slim Hopes, etc.). Limiting my discussion to a selected few of the above (for manageability), I explore objectives and strategies for using controversial media, including dealing with student resistance and/or emotional responses, based on my experiences in using these and other media texts in communication classes.

Jean Kilbourne’s “Two Way a Woman Can Get Hurt: Advertising and Violence” is a section of a book titled: “Deadly Persuasion: Why Women and Girls Must Fight the Addictive Power of Advertising” that was originally published in 1999. It is about the images of women that advertisements illustrate. The central claim or thesis of the document is that: “advertising helps to create a climate in which certain attitudes and values flourish and it plays a role in shaping people’s ideas” (paraphrase). The author wants people by all genders and young children to acknowledge a right attitude towards what is shown in the advertisements so that the standards of behavior will not be influenced. As a result, it enables the negative contribution from the advertisements to be limited or eliminated.…show more content…
Accordingly, “pornography can be considered mainstream” (page 460, paragraph 1, line 5), said the author. However, there were problems brought up since the pornography glorify the violence and crimes, and it had no difficulties in being shown in mass media. Jean Kilbourne, though, did not place all the blame on advertising when she pointed out: “Ads don’t directly cause violence, of course. But the violent images contribute to the state of terror” (page 466, paragraph 2, line 1). Such erroneous attitudes are known to be existed as: “women are valuable only as objects of men’s desire, that real men are always aggressive, that violence is erotic, and that women who are the victims of sexual assault “ask for it”” (page 478, paragraph 5, line 2). The impact it made on women well-being is dreadful when it comes with them along their journey through life starting from being misbelieved as young to ending up with self

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What is the main point of two ways a woman can get hurt?

In “Two Ways a Woman Can get Hurt: Advertising and Violence,” the author Jean Kilbourne describes how advertising and violence is a big problem for women. Although her piece is a little scrambled, she tries to organize it with different types of advertisement.

When was two ways a woman can get hurt published?

Jean Kilbourne's “Two Way a Woman Can Get Hurt: Advertising and Violence” is a section of a book titled: “Deadly Persuasion: Why Women and Girls Must Fight the Addictive Power of Advertising” that was originally published in 1999. It is about the images of women that advertisements illustrate.

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