Battle of the five armies extended edition runtime

The final chapter in the massive and needlessly overlong adaptation of J.R.R. Tolkien's prequel to the battle for Middle-earth saga, 'The Hobbit: The Battle of the Five Armies,' arrives more with a whimper than as the exciting conclusion to the grandiose adventure it originally set out to be. Or better yet, once the dust and smoke settle from the nearly hour-long battle to reclaim the Lonely Mountain, audiences are likely to exhale a sigh of relief than applaud with satisfied enthusiasm. It's not so much that the movie is bad — though it's not great or quite as good as the previous two — as there is a general sense and feel of liberation, that it's finally over after three years and three films imagined from one book. That may sound more negative than positive, but that's only because this final installment seems content to exist right at the cusp between a shoulder-shrugging meh and an adequately mediocre accomplishment.

Walking into it largely from an obligation to see the entire Middle-earth series come to a full, complete circle, Peter Jackson's film is neither a total disappointment nor is it the overwhelmingly gratifying conclusion initially imagined. Not sure if it's from a feeling of exhaustion, after spending so much time in this epic fantasy world, or because the previous two entries were honestly tepid starters leading up to this, raising expectations higher than could be achieved. Even the battle sequences, as stunning and magnificent as they are to witness on the big screen, digital characters, monsters and landscapes that look spectacularly lifelike thanks to the talented folks at Weta Digital and the skillful direction of Jackson, fail to truly captivate and immerse the viewer. In spite of the wild imagination and thrilling visuals on display, the clash between the dwarves, elves, humans and eagles against a terrifying horde of goblins and orcs doesn't quite measure up to the encounters seen in 'The Lord of the Rings' trilogy.

Part of the problem can be a sudden loss of interest with the many characters involved and several key moments feeling rushed while others linger for longer than necessary. Then there's also an unexpected desire to have the whole affair simply come to a close as personalities clash over who has a rightful claim to the share of the gold Smaug guarded. Of course, some will be quick to point out that Thorin (Richard Armitage) is largely to blame since his gold lust and obsession for the Arkenstone blinds him from peaceful negotiations for promises made to the Bard (Luke Evans) and the people of Laketown. Elvenking Thranduil (Lee Pace) also desires certain necklace of white gems, creating an alliance with the humans to invade the mountain if necessary. With Smaug now dead, Azog and his Orc army want the mountain for its strategic position as a stronghold, and if dwarves die in the process, all the better in his eyes. There're lots going on and none is of major interest, except perhaps the fight between Thorin and Azog, which I admit was quite satisfying.

It's a real shame, to be honest, because 'The Hobbit: The Battle of Five Armies' picks up immediately where the second film left off with explosive action and mayhem as Smaug (voiced by Benedict Cumberbatch) sets Laketown ablaze. It's a promising start, visually potent, dynamic and energetic, but it the excitement quickly subsides with scenes of Bard leading people to the ruins of Dale for shelter and Thorin turning dictator commanding his loyal dwarf company in search of the Arkenstone or risking their lives for the gold. Yes, this is taken directly from the book, but it's a bit boring to watch on screen. And this made the worse by the made-up melodramatic romance of Tauriel (Evangeline Lilly) and Kíli (Aidan Turner) while Legolas (Orlando Bloom) watches dopey-eyed from a distance. Through all this, Gandalf (Ian McKellen) and Bilbo (Martin Freeman), our initial heroes of this epic saga, are treated like side characters, their influence to the plot circumstantial.

Altogether, Jackson's closing chapter to the series is not a complete loss, but it's also not the electrifying finish promised by the previous movies.

On the "Extended Edition"

In the film's extended form, the additional 20 minutes neither improve nor ruin an already strong and fairly satisfying finish to the trilogy. However, the extended scenes — some so minor as to be barely noticeable while others quite apparent — are just enough to arguably make this version slightly more entertaining than it's theatrical counterpart. Several new scenes are negligible, easy-to-miss bits of dialogue that create a better flow and pace. There's also a bit more action during Gandalf's rescue at Dol Guldur. The most significant differences, and the ones more likely to attract fans, are the longer battle sequences, especially a terrifically entertaining exchange and initial conflict between Dáin's and Thranduil's armies just before the Wereworms show up. In Dale, Gandalf has a brief encounter with a large troll where we also witness Alfrid's appropriate comeuppance while the dwarves drive a war machine pulled by goats towards Ravenhill and Azog. Perhaps, the best and most welcomed addition is a longer, more emotional funeral procession for our three fallen protagonists and Dáin's inauguration.

The Blu-ray: Vital Disc Stats

Warner Home Video brings 'The Hobbit: The Battle of the Five Armies Extended Edition' as a three-disc Blu-ray package with an UltraViolet Digital Copy code. Housed inside a black, eco-elite keepcase with a middle panel that holds two discs on either side, all three discs are Region Free, BD50s, and the whole thing comes with a sturdy, attractive slipcover lightly textured to simulate leather and a glossy picture in the center. This extended edition of the film adds 20 minutes of dialogue and extended battle sequences to the theatrical runtime of 144 minutes, bringing this version to 164 minutes total, which also makes it the shortest of the three films. Viewers are taken straight to an animated main menu screen with music and full-motion clips. 

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